I have been lazy and remiss

in posting about my books. I told about Maurie’s book, No. 87, but neglected 85 and 86, which are fold books and 88 and 89, both accordion books. The fold books begin with square pieces of card stock folded into four squares. I actually made four different books but they are so similar I’m counting them as two. Three of the books are images of reflections, one is a staircase.

Light art board covered with hand decorated paper

Art board covered with hand decorated papers

Reflections in Pittsburgh, New York and Japan

Reflections in Pittsburgh, New York and Japan

Text on bottom of carousel

Text on bottom of carousel

Stairway carousel fold book. Pictures taken at our book exchange party since I no longer own it.

imageStairway carousel

The two accordion books are quite different. The first one, which I made shortly after I returned from Japan contains photos of Mt. Fuji, mostly taken from the workshop. The cover is one of the prints of Mt. Fuji I made in the workshop.


I will tell about the second accordion book in my next post. Soon, I promise.

Last days

We returned to Tokyo on Saturday. I immediately went to Beaver Bread for my bread fix. Much as I love being in Japan the food gives me considerable difficulty. Too much salt. After a couple of weeks I get waterlogged and my diet tends to regress to yogurt, bananas and good bread, if I can get it.

Effectively the workshop was finished, but we had a few more things to do. We were scheduled to go to an art show opening on Saturday evening. First we went to a special shopping area. On our way we saw this wonderful little parade, complete with drumming. This is the second one I’ve seen on this trip. Not sure what they are about. The first, which was at Sensoji Temple, clearly had something to do with sake, since there was a huge cask of it on the float. 

The art show was in a building that was formerly a middle school, now occupied by galleries and some tech start-ups. The opening was at the Mi-lab gallery, the people who ran our workshop. 

On Sunday I went to the Nezu Museum, which has a huge garden I had never seen. It was filled with trees, almost a forest but with many interesting stone lanterns. Although I enjoyed it, I would never have fallen in love with gardens had it been the only one I saw.

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I spent the remainder of the day wandering around Ginza and a little time in Ueno. 

Yesterday, Monday, was our last day. As a group we went to Team Lab borderless, a huge hi-tech installation. It was very exciting at first with all of the colored lights and movement, but somehow, after we were there for awhile, I wanted more from it.

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From there I went to another garden I had never been to: Kyu Shiba Rikyu. This was a truly special garden and I fell in love all over again. It was the perfect ending for my trip.

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May 24

is my birthday. I have celebrated each year since my 80th as a gift. This year my celebration was to go to Japan again and go to the workshop. It has been a great birthday and everyone at the workshop helped me celebrate. Without Nicolo, our teacher and translator, it would not have been possible for me to participate. Our workspace was on the second floor of the house and none of the stairs had bannisters, without which I don’t climb stairs. Nicolo helped me up and down the stairs, each time with great patience and love. He also gave me a charming birthday present.

Our Sensei, Chihiro Taki, let me buy a print from her at a lower price. She wanted to give it to me, but I could not accept such a gift. I love the print and only wish I could afford to buy one of her large prints. I did not even ask the price.

Erin, Katie and Yoonmi went out of their way, and made it all possible for me. I don’t like to be needy and special, but I have begun to need help under certain circumstances. They have been very kind and loving.

Everyone at the workshop sang Happy Birthday to me, and our hosts brought out slices of a melon for our dessert. This is a rare treat in Japan. And another rare treat: Fuji was visible all day and from everywhere I went.


Since I finished printing on Thursday and wasn’t inspired to carve another block, I spent the morning working on the blog and then went for a walk down to Lake Kawaguchi.


After lunch I went upstairs to look at my dried, finished prints. This is the first time I have ever done any printing like this. I enjoyed doing it but will probably never continue. I don’t have space to set up a studio and I’m too deeply immersed in book making and computer graphics. As I began working I knew I would have no standards for this work. To properly carve the woodblock and print an edition where every print looks more or less the same, requires strict attention to every possible variable: carving clean, deeply cut negative space; the amount of water on your paper; amount of pigment in the color you mix; amount of nori you put on the block along with the color. My carving was never deep enough; too much pressure on the hands. My paper was too wet or not wet enough. Each of my prints is different. I am happy that I have completed work to bring home, never mind quality.

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We had a big show and tell. Everyone worked hard and produced amazing work considering we had only a short time to work.




May 23

On this third day of the workshop I completed my project. I spent much time yesterday carving my woodblocks.

We also had a demonstration by a resident artist here at Mi Lab, Chihiro Taki. Loved watching her work.

Today, with much help from all of our teachers, I began printing my blocks.

I printed my gray block on about half of the 32 pieces of paper. Then I went back and printed the blue block, not always happily.

I didn’t take photos of the entire procedure so I will finish the story in my next post. In the evening we had a demonstration about drying our prints using my finished prints.

The workshop begins

We are in a lovely Japanese house with a beautiful garden and great workspace. We spent the morning learning about carving our woodblocks; 2 blocks, each with a different color.

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In the afternoon we started carving our own blocks. Since we are working within sight of Mt. Fuji, and I had the good fortune to see Fuji from the train to Kyoto, I decided to use it as my starting point and added some shapes from my recent echocardiogram for the second color.


This is my image with areas where color will overlap. These are not the colors I will use.


Tracing image onto block



My two blocks with registration keys already cut.

I carved my first block today and will work on the second tomorrow. As a bonus the rain stopped and we got to see Fuji from the studio window.



I reached the limit of what I will do for art . We took a bus from Tokyo to the workshop site where we will be staying for four days and living for five nights in a true, rustic old Japanese inn. I am lying on 3 futons on the floor. That’s not the problem. I can get down. Getting up was the issue. It took me 10 minutes to move around to where I could finally lift myself up. Also Japanese pillows are filled with something that seems like small bits of gravel, probably beans of some kind. So they have now arranged for Gail, my friend and roommate and I to move to a hotel. I feel bad about this, but I’m not sure I would have survived four more nights. I’m very grateful.

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Monday morning, before we left Tokyo, we visited Ozu Washi, a great paper store. I didn’t buy anything but I will have another opportunity before I leave. 

We also stopped in a brush store where they are actually making brushes. They had every kind, from toilet brushes to wonderful paint brushes. Again I didn’t buy anything. My suitcase was already full.


May 19

Ate Beaver Bread for breakfast. I bought three small rolls. One was filled with some kind of jam. I ate around the jam. The bread was great, easily number one here or at home. The second roll was chocolate chips with nuts. Yum. Third one for tomorrow.

We went as a group to two museums and an art supply store. Lots of walking again. Just barely getting to know people, but great so far.


Haven’t stopped walking. That total includes lots of museum shuffle. Much more exhausting than real walking. Fell asleep as soon as my head hit the pillow.

First thing we went to the Mori Art Museum for a show of contemporary Japanese Art. The show was called Connexions and featured the work of mostly young artists and their connections to the past, to current events and to technology. Some of it was very moving and thought provoking. One of the best shows I’ve seen recently.


Definitely is an obsession with cats.












Alongside the art museum is something called City View, which lets you overlook Tokyo from almost 360 degrees. It’s an amazing panorama and really shows the beauty and density of the city. I was awed.

Our second museum visit was the Ota museum for a show about Hokusai and his vision of Mt. Fuji. So lot’s more ukiyoe. This was in Harajuku where we had to cope with the Sunday crowds. After the museum I had a little more time to wander around to the wonderful mirror kaleidoscope and take more pictures. It’s also the best place for people watching.

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A visit to a large art supply store finished up our evening.

Back in Tokyo

My workshop begins tonight at dinner and to meet everyone. I’m already installed in my own room in the Citan hostel in Tokyo.

I got here about 2pm after a two and a half hour train ride from Matsumoto. After I checked in and left my luggage I went for a walk here in the Nihombashi area. It’s very quiet and I didn’t find much of interest, but on the map was something called Beaver Bakery. So, with great difficulty following the GPS on the phone I came to a small line in front of an almost unidentified shop. It was the only thing around and sure enough, it was Beaver Bakery. I went in and bought 3 items.


The line was gone by the time I took the picture.

To understand bread in Japan think of Wonder Bread, only fluffier and more squishable. The things I bought don’t squish. Haven’t tasted anything yet. Tomorrow. It seems that Beaver Bread is famous. There is even a book about them, in Japanese, of course.

Went out for dinner with the workshop group. I think this will be another good one.


This is my third night in Matsumoto. When I made this arrangement I thought of Matsumoto as a kind of mountain retreat where I could chill out before my workshop begins. There are mountains all around but it is much more urban than I expected. So, I’ve been sightseeing but taking it much easier than the last two weeks.

Matsumoto was the birthplace of Yayoi Kusama, an artist whose work is at the Mattress Factory in Pittsburgh and all over the world. The city museum of art has a permanent exhibition of her work and was one of the attractions for me. Here are pictures of work outside the museum. A tour group was there posing as I arrived. I never understood the gestures.


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No photography was allowed inside the museum. For the most part I didn’t care, but I really wanted to photograph inside her mirrored corridor. The guards kept a tight watch on me. The room was about 20 or 25 feet long and not much wider than the span of my outstretched arms. Both openings had red curtains hanging to the sides. The walls, ceiling and a narrow area on either side of the openings were mirrored. At about waist height on the long walls there was a shelf with small red and white polka dot stuffed shapes. Looking into the mirrors the curtains became columns and even I became a column and everything stretched to infinity. Fantastic. I was alone in the corridor, except for the guards watching me from outside and I wanted to stay forever. I walked through the entire exhibit and decided to go back to the corridor. As I was about to enter several people went into the exhibit before me. I walked past them, past her early art work, and went back into the mirrored corridor. The first woman entered, spent the entire time looking at herself in the mirror, fixing her hair, her backpack and quickly walked out. I don’t think she ever saw the space around her. Two other people walked through quickly, never looking. I wonder if the guards think about this kind of stuff. And I wanted to talk to someone about it. That‘s the downside of traveling alone.

Another feature of Matsumoto is an ukiyoe museum (woodblock prints), supposedly with the largest collection of prints in Japan. However the exhibition space was small so disappointing. I enjoyed the prints but the exhibit I saw in Hiroshima had three times as many.

The most widely promoted tourist site is Matsumoto Castle. It was described as having steep, narrow stairways inside. I did not go in. I am phobic about steep stairways. But it is certainly beautiful.


Nearby was a funny street with old buildings and shops dedicated to frogs. I had soup and salad lunch in a bakery cafe, no frogs.

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My favorite discovery was an Inari shrine boxed in by tall buildings near my hotel.

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The sun was shining and I walked around Takayama all morning. On the way to the morning market I stopped at a temple and found the oldest, and largest Gingko tree I have ever seen. DF62457E-6E69-4F97-B507-C451D00CD51E37584335-A53E-4B51-AB92-94BB3AFB4A60644ACFF4-0A3C-4BC1-BB3E-4E34857A886A

The market is held every morning along the river. I didn’t buy anything but enjoyed the walk.

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As I was leaving at noon, I bought a small bento box for lunch on the train. The train was late again and I missed my connection. I got on a local train; changed to a second train; finally connected with an express and got to Matsumoto about 2 hours later than I expected. But I did get lots of pictures.

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