Inspired by another workshop, this time taught by Sandy Webster in 2006, this book is bound with tapes and beads, decorated with more beads and contains translucent vellum section pages, handwritten pages, printed photos, maple seeds and one of my rare drawings.
The book is about the view from my bedroom window in the back of the apartment I occupied for several years here in Pittsburgh. I called it “Drawn to the Light” because light from the window woke me in the morning and constantly called me to photograph as it changed.
Unfortunately I really didn’t understand how to bind a book. Most of the work on the book was done after the workshop was finished so I didn’t have the benefit of Sandy’s guidance. My pages were single sheet so I created a small book block with fourteen folded signatures then glued each of the sheets to the inside of each side of the signature. I made tapes out of book cloth to affix the covers and sewed each of the signatures around the tapes. I did not use good thread and probably not very good glue. Here you can see the glued on maple seeds, many of which have fallen off, and how the book is coming apart. Someday I may rebind it.
Maple seeds are printed on this page, probably before I wrote the text. On the left is an accordion-fold pull out with many of the pictures I couldn’t fit into the regular pages. Paper for the signatures was created in the workshop using some kind of rust mixture. Sandy was very big on rust at that time.
This page is a drawing of the driveway. I’m not sure why I did it. I guess I just wanted to make a very personal statement.
I took a class about altered books at the Center for the Arts here in Pittsburgh. The book I chose to alter was a rare book catalog I had picked up somewhere in New York. It became the first book I made using posts from my first blog: Moving Music.
Moving Music was about my move from New Jersey to Pittsburgh. I decided to use fatunderscoreoldunderscoreartist as my user name and continued using it for a couple of years until I realized there were porn sites showing fat women and my blog was listed on one of them. You never know what attracts people.
I printed out everything in the blog and pasted it onto the book and using various techniques, covered all of the text and some of the printed pictures.
I’m not proud of this book, keeping it only because it has the blog. If the blog is still online, I could do a better job. Somehow it’s not that important.
This is book #11.
This book, a kind of tribute to my mother who had recently died, was the only other book made in the printing/copy shop. Designed and printed in 1994, it is 4″ x 5″, 26 single sheets bound with a machine we had in the shop, and an edition of 400 copies. I included a portrait of my mother as a young woman, her wedding picture (top), her parents at the wedding of her oldest brother (below) and a picture of my grandmother and her three sisters when they arrived in the US. The story is about our search for a special apple kugel recipe Mama kept experimenting with and we thought was lost, some historical material about that particular kind of kugel also known as a shalet and a few really good recipes. I gave the books to my customers as a Christmas present and I’m still giving them away to friends and relatives.
This is a compilation of Charna’s and my photos from our trip to New Mexico including short paragraphs we wrote and information found online. The cover is a print called “Santa Fe Typical” by McCarthy. Binding is the Secret Belgian Binding. I spent quite a long time thinking about how to construct this book. My original thought was since the print is symmetrical I would wrap it around the spine and both covers. However this would have made the book smaller than I needed to present the photos. Also, I wanted to use the 8″ x 10″ unbuffered bond but that would require a single sheet binding. Finally I used an 8.5″ x 14″ matte presentation paper, folding the 14″ width at the 10″ mark to create a finished book 8.5″ x 10″.
Here is the book in progress showing inside the binding. I used the folded over sheet for both text and smaller photos.
In 1990 Richard and I bought a printing/copy franchise. The business seemed to consume my life, but it also gave me some opportunities: first to learn to use the computer; then to make a book. This book, titled Alas Art Aches Awesomely, was made entirely on the computer or a copier. I don’t remember all of the details of its creation or the number of copies I finished. Possibly I made the entire book on the computer and printer using only the shop cutter and stapler for binding. It has a transparent cover, text weight paper, folded, and is bound with a single staple. Size is approximately 4″x 3½”. I used CorelDraw, the only program I knew at that time.
Recently (2016), I decided to redo the book. I now use a more powerful computer, a much more sophisticated program, Adobe Indesign, an archival printer and carefully selected papers. Much of the original book is a kind of plaintive rant. I modified the new book to reflect my more relaxed attitude.
This book has proven very popular with friends. I made five copies and gave away two of them. The one above was the first one I made. The translucent paper I used doesn’t show up well in the photo; it’s really beautiful. Unfortunately I don’t know where to get more. This copy is a tabbed accordion, 4″ x 5″, printed on Talas unbuffered bond with Epson Claria inks.
Not entirely satisfied with this binding I tried again, this time a 5″ x 7″ single sheet block using something similar to a ‘perfect’ binding. This was not satisfactory; book doesn’t open flat and I just didn’t like it.
My last attempt is 5″ x 8″, single sheet stab binding. I like the way it looks but the book doesn’t open easily.
Using a single sheet format limits options for binding. Folded signatures provide many more choices. I have been struggling with this since I began seriously making books.
Some time in 1972 or 73 I got together with Jan and Sandy to create a show for our mentor and teacher, George Buehr. He seemed so old to me and I wanted to give him this tribute while he was still alive. I’m laughing as I write this. He was 68 and I was 39. From my 82 year old vantage point I realize he was really quite young. While we were working on curating and putting the show together we also got together with other friends and made blank books. I had never done this before.After the show was over we had a party out at Ox-Bow in Michigan and I pasted photos into one of the blank books, my first real book creation.
Poster for the show
Hand-written explanation with pictures pasted in
Afterward on Sally’s boat. Me being myself. Graying already at 39.
Inside cover, everything glued in. Never been so glitzy.
I didn’t really think about them as books, certainly not artist books. They were just compilations of photographs. The first book, which no longer exists, was created in 1963 or 1964. We took a trip to the East Coast going from Gettysburg and Williamsburg to Cape Cod. This book contained photographs of Victorian houses on Cape Cod. I didn’t know anything about making books or using archival materials. A few years ago I found that the book had aged badly, filled with brittle and yellowed pages. I think I removed the pictures but don’t remember where I put them.
In 1969 we took a trip to Europe and Israel. I was a student at the Art Institute of Chicago and had already taken several years of photography classes. So the books are intact, although not in very good condition. They are too thick for the spiral binding, which threatens to come undone. The photos are beautifully printed and mounted; I was an expert darkroom technician. However, I never added any details about location, people, dates. I was only interested in the images. I’m sorry now. I’d like to know where I took some of the pictures and who some of the people are; I no longer remember. But the truth is most of my books are still primarily focused on the image.